Stéphane Grappelli

Stéphane Grappelli (26 January 1908 – 1 December 1997) was a French jazz violinist who founded the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to “Grappelli” in 1969. The “Grappelli” spelling is now used almost universally when referring to the violinist – even on reissues of his early work.

Grappelli was born in Paris, France, to Italian/French parents: his father, marquess Ernesto Grappelli, was born in Alatri, Lazio. His French mother died when he was four and his father left to fight in World War I. As a result, at six he was accepted into Isadora Duncan’s dance school, where he learnt to love French Impressionist music. Grappelli started his musical career busking on the streets of Paris and Montmartre with a violin. He began playing the violin at age 12, and attended the Conservatoire de Paris studying music theory, between 1924 and 1928. He made his living by busking on the side until he gained fame in Paris as a violin virtuoso. He also worked as a silent film pianist while at the conservatory and played the saxophone and accordion. Grappelli called his piano “My Other Love” and (many years later) released an album of solo piano of the same name.

For the first three decades of his musical career, Grappelli was billed as Stéphane Grappelly. Grappelli’s own explanation for the changed spelling was that he was tired of people mispronouncing his last name as “Grappell-eye”. It has also been suggested that Grappelli had changed his name in order to avoid military service in Italy, although this claim has been greeted with skepticism by his biographers.

His early fame came playing with the Quintette du Hot Club de France with Django Reinhardt, which disbanded in 1939 due to World War II. In 1940, a little known jazz pianist by the name of George Shearing made his debut as a sideman in Grappelli’s band.

After the war he appeared on hundreds of recordings including sessions with Duke Ellington, jazz pianists Oscar Peterson, Michel Petrucciani and Claude Bolling, jazz violinist Jean-Luc Ponty, jazz violinist Stuff Smith, Indian classical violinist L. Subramaniam, vibraphonist Gary Burton, pop singer Paul Simon, mandolin player David Grisman, classical violinist Yehudi Menuhin, orchestral conductor André Previn, guitar player Bucky Pizzarelli, guitar player Joe Pass, cello player Yo Yo Ma, harmonica and jazz guitar player Toots Thielemans, jazz guitaristHenri Crolla, bassist Jon Burr and fiddler Mark O’Connor. He also collaborated extensively with the British guitarist and graphic designer Diz Disley, recording 13 record albums with him and his trio (which included Denny Wright in its early years), and with now renowned British guitarist Martin Taylor. His Parisian trio of many years included guitarist Marc Fosset and bassist Patrice Carratini.

Grappelli recorded a solo for the title track of Pink Floyd’s album Wish You Were Here. This was made almost inaudible in the mix, and so the violinist was not credited, according to Roger Waters, as it would be “a bit of an insult”. Grappelli made a cameo appearance in the 1978 film King of the Gypsies, along with noted mandolinist David Grisman. Three years later they performed together in concert, which was recorded live and released to critical acclaim. In the 1980s he gave several concerts with the young British cellist Julian Lloyd Webber. In 1997, Grappelli received the Grammy Lifetime Achievement Award. He is an inductee of the Down Beat Jazz Hall of Fame.

He died in Paris after undergoing a hernia operation. Grappelli is interred in Paris’ famous Père Lachaise Cemetery.

Via Wikipedia

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2 Responses to Stéphane Grappelli

  1. Deskarati says:

    On a personal note, I once met Stephane Grappelli in my youth. He was very generous with his time in discussing his music with me. I was in charge of the lighting of the show he was performing. At the end of what was an exceptional night, Stephane asked the audience to to give me a round of applause for my efforts. A wonderful man.

  2. alfy says:

    About fifty years ago, when the world was still young I lived in Midhurst, Sussex in my first teaching job. Two of my women colleagues had a year’s contract to live in the fully furnished house of a man working abroad in Togoland as a headmaster. They invited friends round for parties on a regular basis, and in those days this did not mean that the guests stubbed out cigarettes on the soft furnishings or vomited over the carpets.

    We played some of the owner’s record collection as some of this music was unfamiliar to us. Two items stand out in my memory. One was the Hot Club, and Django playing four tracks. (I think it may have been a small 45 rpm). They were, “Dinette”, “House of Dreams”, “Fly Fishing”, and “Belleville”. The other was “Recuerdos de Alhambra” another highly evocative guitar piece, but in the tradition of classical Spanish guitar.
    Whenever I hear either of these two musical forms it takes me back to the expansive mood of the early sixties.
    I like Jim’s story of Stephane Grappelli. It chimes in well with his persona as a really nice man. He was also indestructible and went on performing publicly long after most people have been turned out to grass.

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